Multi-site Performance & Screening
Sunday, June 28
Doors at 5PM
$25
In this chapter, the archive refuses containment. It slips off the table, dispersing into movement, sound, and embodied encounter. Rather than a site of preservation, the archive becomes a live circuitry—activated, distorted, and redistributed across bodies, space, and time. Claire Alrich’s theatrical participatory performance unfolds as a through-space fabric embodiment, treating the body as both carrier and rupture of recorded experience. Anh Vo will carry megaphones over the queue barriers' obstructions, leading to a reckoning with the invisible power that looms over us and penetrates our very flesh.The screening of Foot Stretcher by Inbar Hagai extends this logic into a durational, intimate discipline: a year-long, near-impossible attempt to become a ballerina, where the body is subjected to regimes of aspiration, failure, and transformation. The archive here is a force that molds—stretching flesh, rehearsing desire, and exposing the violence embedded in ideals of form.
